Lucinda Williams launches her career retrospective at the Fillmore New York
Lucinda Williams kicked off her unusual five-night career retrospective Saturday night with a loose, informal performance of her “World Without Tears” (Lost Highway) album that only got looser as the night went along.Williams told stories about the songs – sometimes the influences, sometimes the personal events, sometimes the reactions to them – letting people into her songwriting process. “I’m not going to give everything away, though,” she said at the sold-out Fillmore New York at Irving Plaza.
She talked about how the lovely “Those Three Days” was inspired by Ryan Adams’ “Come Pick Me Up,” how “Sweet Side” was about a failed relationship with a bass player, and how “Righteously” was not her attempt to create a new genre called “hip-billy” and she was “not trying to be Li’l Kim.”
She also ran into a bit of a mental block as she introduced “Atonement” and tried to recall the name of preacher Jay Bakker. “He was the son of...,” Williams said, searching for the name of minister Jim Bakker.
“God?” said someone in the audience.
“Jesus!” screamed someone else.
“No!” Williams said, laughing. “But I do love how y’all are so involved.”
Williams encouraged non-violent dissent as she introduced “American Dream,” which also included her reading a poem from Lawrence Ferlinghetti called “Pity the Nation.” (“Don’t worry, it’s short,” she said, “This isn’t a poetry slam.”)
“I’m a patriot, my brothers and sisters,” she said. “I love this country. That’s why I speak out.”
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